一 | 文：懂车帝原创 史景旭[懂车帝原创 产品] 日前，我们从官方获悉，本田汽车将在2025年推出新款CR-V TrailSport版（越野版）车型。同时，本田还将推出全新Passport（2月上市）和Prelude，以及新款CR-V和新款HR-V车型。作为参考，目前在售东风本田CR-V可选2.0升混动系统、1.5T燃油版、2.0升插混动力车型，指导价格区间为18.59万-26.99万元。 South Korea has steadily built a reputation for creating some of the most inventive and spine-chilling horror films. If you are thinking of simple jump scares, you are in for a lot! Simply put, K-horror thrives on atmosphere, folklore, psychological complexity and a uniquely Korean blend of tragedy and terror. These films pull you in with stylish direction and layered storytelling. Interestingly, they leave you thinking about their implications long after you’ve locked all your doors and switched on every light in the house.If you’re ready for a guided tour through Korea’s most unforgettable nightmares, here are ten of the best Korean horror movies for you to watch with your lights on. In This Article 1. A Tale of Two Sisters (2003)2. The Wailing (2016)3. Train to Busan (2016)4. I Saw the Devil (2010)5. Gonjiam: Haunted Asylum (2018)6. Thirst (2009)7. The Host (2006)8. The Call (2020)9. Whispering Corridors (1998)10. The Piper (2015)1. A Tale of Two Sisters (2003) Kim Jee Woon’s gothic psychological horror remains a benchmark for modern Korean cinema. Loosely rooted in an old Joseon-era folktale, the story revolves around two sisters who return from a mental health facility only to encounter escalating tension with their cold and unpredictable stepmother. From its dreamlike cinematography to its suffocating atmosphere, the film invites viewers into a labyrinth of memory, trauma and hallucination. Instead of spelling things out, it asks you to piece together the truth. 2. The Wailing (2016) If A Tale of Two Sisters is a fairy-tale nightmare, The Wailing is a sprawling supernatural epic disguised as a crime drama. It is set in a quiet mountain village that is plagued by bizarre illnesses and gruesome murders. The film follows an overwhelmed police officer who becomes embroiled in a series of events involving shamans, demons and eerie strangers. Director Na Hong Jin blends spiritual mythology with real world dread. The Wailing isn’t just scary; it is unsettling in a way few films dare to be. 3. Train to Busan (2016) Zombie films may feel overdone, but Train to Busan revitalises the genre globally. It is set almost entirely aboard a high-speed train, as the story begins with a viral outbreak that transforms commuters into ravenous undead within minutes. What elevates the film isn’t just the tight, breathless action choreography but its emotional core. At its centre is a father trying to reconnect with his young daughter and their evolving bond anchors the chaos around them. The characters are well drawn, the social commentary is sharp, and the pacing is absolutely relentless. It is a perfect example of how Korean filmmakers turn genre films into human stories. 4. I Saw the Devil (2010) Not for the faint-hearted, as I Saw the Devil blurs the line between horror and thriller. A secret agent embarks on a mission of revenge after his fiancée is murdered by a sadistic serial killer. Now a cat-and-mouse chase begins that becomes a brutal story of vengeance. The film is horrifying because of the killer’s cruelty and the protagonist’s descent into moral corruption. It comes with slick cinematography and Kim Jee Woon manages to keep the audiences hooked with nerve-shredding tension. The violence is graphic and chilling, to say the least. 5. Gonjiam: Haunted Asylum (2018) This movie explores the lives of a group of young content creators. They visit an abandoned psychiatric hospital to livestream their investigation for views and sponsorship money. At first, it feels like a mischievous reality-TV stunt. It is complete with pranks planned to scare the audience. But once the group begins exploring deeper into the asylum, the pranks give way to very real and very terrifying phenomena. The film’s shaky-cam style makes each moment feel immersive and real. Also, its exploration of the internet culture adds a modern twist to the haunted-asylum trope. 6. Thirst (2009) Park Chan Wook’s Thirst is a vampire film unlike any other. The reasons being that it is sensual, tragic, darkly funny and unexpectedly philosophical. The story follows a devoted priest who becomes a vampire after volunteering for a medical experiment intended to save lives. The priest is suddenly torn between his religious convictions and his bloodthirsty new instincts. He begins an affair that spirals into guilt, violence and moral decay. As always, Chan Wook's visual flair elevates the film. Also, the movie does not rely on typical vampire cliches clichés. It uses the supernatural to examine human weakness and spiritual conflict. 7. The Host (2006) Though often labelled a monster movie, The Host is far more sophisticated than that simple description suggests. It is directed by the globally acclaimed Bong Joon Ho. But interestingly, this movie released before Parasite. It follows a dysfunctional but deeply loving family fighting to rescue their daughter from a mutated river creature that rises from Seoul’s Han River. The monster is frightening enough, but what sets the film apart is its blend of horror, political satire and heartfelt family drama. Bong uses the creature as a metaphor for Government failure, environmental negligence and societal indifference. It’s thrilling, funny, emotional and terrifying all at once. 8. The Call (2020) A more recent addition to the Korean horror canon, The Call combines time-travel elements with psychological horror. The premise centres on two women living decades apart but connected through a mysterious telephone line. It starts as an unusual friendship, but it quickly turns nightmarish when one of the women uses their link to manipulate the timeline. She gives way to her own violent impulses. The film escalates at a breakneck pace. It blends sci-fi, thriller and horror into a uniquely chilling ride. Its unpredictable twists and menacing energy keep viewers on edge until the final seconds. 9. Whispering Corridors (1998) A landmark in the revival of Korean horror during the late 1990s, Whispering Corridors is set in an elite all-girls school where mysterious deaths spark rumours of ghosts roaming the hallways. While it functions as a supernatural mystery, the film also critiques the pressures and abuses embedded within Korea’s academic system. Its success spawned a long-running anthology franchise, but the original remains the most impactful, thanks to its eerie atmosphere and emotionally charged storytelling. The school setting, with its empty classrooms and locked corridors, becomes a perfect stage for terror. 10. The Piper (2015) Inspired by the classic legend of the Pied Piper, this folk-horror gem is set in the aftermath of the Korean War. A wandering piper and his son arrive at a remote village plagued by a rat infestation. At first welcomed, he is soon betrayed by the superstitious villagers. It leads to one of the most chilling revenge arcs in Korean horror. It begins as a quiet and almost pastoral drama. Then it slowly transforms into a grotesque and poetic retribution. The film’s unsettling tone, creepy creature design and moral lessons make it a standout for fans of folklore-based horror.One thing is for sure, Korean horror doesn't simply aim to shock. It often reflects deep-rooted cultural anxieties about family expectations, social hierarchy, Government mistrust, colonial trauma, religious conflict and the wounds left by rapid modernisation. Ghosts in Korean cinema are rarely just monsters. They are symbols of unresolved guilt or injustice. Monsters represent societal failures. Revenge stories become meditations on morality. Even zombie films carry emotional weight.Stylistically, K-horror thrives on atmosphere. Directors take their time setting up tension, focusing on mood, character psychology and beautiful-yet-ominous visuals. The result is a mix of artful storytelling and gut-wrenching fear that resonates with global audiences.Also Read: Inspection Bungalow Review: A Quirky Horror Comedy That Fumbles Its Final Stretch。配图为现款第六代CR-V作为本田汽车旗下的紧凑型SUV，CR-V目前已经发展到第六代车型，其中第六代CR-V在2022年发布，未来将推出的新款CR-V预计为第六代车型中期改款本。现阶段，关于新款CR-V的信息有限，不过官方透露，在新款CR-V车系中将增加一款TrailSport版车型。全新Passport TrailSport作为参考，全新Passport TrailSport车身加入四轮黑色轮眉、前后保险杠下部银色护板、外露式拖车钩、全地形轮胎等不同于城市SUV风格的细节处理，预计新款CR-V TrailSport版也将加入越野版设计元素。2024款本田CR-V e:HEV 2.0L两驱智逸版参考在售东风本田CR-V，该车车头配备有大尺寸进气格栅，并配备有细长的大灯组。此外，该车尾部配备有后扰流板和L型尾灯组。车身尺寸方面，CR-V长宽高分别为4703/1866/1680（1690）毫米，轴距为2701毫米，定位于紧凑型SUV。2024款本田CR-V e:HEV 2.0L两驱智逸版内饰部分，CR-V配备有悬浮式中控屏，空调出风口呈现出贯穿式风格。此外，混动版车型还采用按键式换挡机构。根据配置不同，CR-V可选7英寸/10.2英寸仪表盘，并配备有10.1英寸中控屏，并且全系标配5座布局。2024款本田CR-V e:HEV 2.0L两驱智逸版动力部分，目前在售东风本田CR-V可选2.0升混动系统、1.5T燃油版、2.0升插混动力车型，其中1.5T燃油版车型最大功率为142千瓦，最大扭矩为243牛·米，传动系统匹配CVT无级变速箱；2.0升混动系统车型发动机最大功率为110千瓦，电机最大功率为135千瓦，传动系统匹配E-CVT电子无级变速箱；2.0升插混动力车型发动机最大功率为110千瓦，电机最大功率为135千瓦，传动系统匹配E-CVT电子无级变速箱。东风日产奇骏一汽丰田RAV4荣放东风本田CR-V定位于紧凑型SUV，根据车型级别以及售价来看，同级车型有一汽丰田RAV4荣放（指导价格区间为16.98万-23.88万元）、东风日产奇骏（指导价格区间为17.99万-26.29万元）等。根据销量数据显示，2024年12月，东风本田CR-V销量为21339辆，销量在该级别排名第8位。更多消息，懂车帝将持续关注。
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